Shoe Size 7
~ I am 22 yrs old
~ I live in California
~ Global Studies major
~ I love DOGS <3
~ I Have a wonderful boyfriend :)
~ I work at a bank
~ I SWIM.BIKE.RUN
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20 things we should have learned by age 20...
I saw this post written on a blog by my favourite boys from The Buried Life...
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Deep in the rainforests of the Indian state of Meghalaya, bridges are not built, they’re grown. For more than 500 years...
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Dance, dance, fight the urge to sleep, and dance some more — In 1958, LIFE documented the prom that (almost) didn’t end.
Not originally published...
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just bringing this back…
Deep in the rainforests of the Indian state of Meghalaya, bridges are not built, they’re grown. For more than 500 years locals have guided roots and vines from the native Ficus Elastica (rubber tree) across rivers, using hollowed out trees to create root guidance systems. When the roots and vines reach the opposite bank they are allowed to take root. Some of the bridges are over 100 feet long and can support the weight of 50 people.
(via rottenteenager)
![INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
Hwat](http://25.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_500.jpg)
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
Hwat
(via schrutebucks)
Photograph by National Geographic Channels / Collins Avenue Inc.
About the Show
Meet the Hutterites—a small religious colony in rural Montana who holds desperately to their sacred traditions while fighting the modern temptations of the outside world. King Colony is made up of 59 people and…
(via rochellemabelle)
Last day of finals tomorrow.
The Last Judgement, detail of satan devouring the damned in hell, by Fra Angelico c. 1431.
I WILL ALWAYS STOP WHATEVER I AM DOING TO WATCH THIS VIDEO AT LEAST TWICE IN A ROW.
I ADVISE YOU DO THE SAME.
Bunny Noses by the tenfiftytwo on Flickr.
(via nowordsformiles)
The 11th Hour (by warnervod)
Great documentary about humans’ effect on the earth and how we must do what we can to help heal our suffering world.
And Leo Dicaprio narrates o.0
Showing off… by minxlj on Flickr.
Hagia Sophia is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as the Greek Patriarchal cathedral of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Patriarch of Constantinople of the Western Crusader established Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.
More than any other place in the universe, I want to visit the Hagia Sophia. It’s been my goal for nearly a decade now.
(via msmonalisavito)
Between 1929 and 1974, North Carolina sterilized more than 7,500 of its residents. Most were operated on without their consent, having been deemed “feebleminded” and unfit to reproduce by the state Eugenics Board. Eighty-five percent were women; about 40 percent were black or Native American. As many as 2,000 victims are thought to still be alive.
Nationwide, 32 other states had eugenics programs during the 20th century, resulting in the sterilization of more than 60,000 Americans. While several states have formally apologized for this ugly chapter in their histories, North Carolina is the only one that has attempted to compensate its victims. In January, a state task force recommended that each living, verified victim be paid $50,000. Last month, Gov. Bev Perdue requested $10.3 million to cover the cost.
Elaine Riddick (above) has been one of the most outspoken advocates for the victims of North Carolina’s eugenics project. In 1968, when she was 14, she was raped and impregnated by an older neighbor. The Eugenics Board declared her “feebleminded” and “promiscuous.” Immediately after she gave birth to her son by cesarean section, she was sterilized. Her illiterate grandmother signed the consent form with an X. “I’ve never been feebleminded,” Riddick said during a hearing last summer (PDF). “They slandered me. They ridiculed and harassed me. They cut me open like I was a hog.”
Riddick’s son, Tony also spoke at the hearing. “If you want to know why I’m so passionate about this,” he explained, “[it] is because I saw what was done to my mother. I saw the rape that was done to my mother through the state.”
The majority of North Carolina’s sterilizations took place between 1946 and 1968; only 48 people were sterilized after 1971. Janice Black (above) was one of the final victims. When she was a teenager, Black’s family decided she shouldn’t have children and social workers labeled her “feebleminded.” Her name was the only thing the 18-year-old Black knew how to write when she agreed to be operated on in 1971. Today, she cleans medical equipment at the same hospital in Charlotte where her stepmother brought her to be sterilized more than 40 years ago. Black told the Charlotte Observer, “Sometimes I—what I feel like—that I wasn’t treated fairly. Like I was a human being. I was treated like I’m not no human being.”
